近藤ようこ(こんどう ようこ、1957年生まれ)は、新潟市出身の漫画家。大学在学中にデビューし、日常を描く群像劇から、折口民俗学や中世文学の知識を生かした歴史・幻想作品、坂口安吾や夏目漱石らの文学作品の漫画化まで幅広く手がけてきた。『見晴らしガ丘にて』で第15回日本漫画家協会賞優秀賞、『五色の舟』(津原泰水原作)で第18回文化庁メディア芸術祭マンガ部門大賞を受賞。代表作『家守綺譚』は梨木香歩の小説を漫画化した作品で、第30回手塚治虫文化賞マンガ大賞の候補作に選ばれた。明治時代、亡友の家を預かることになった文筆家・綿貫征四郎が、植物に満ちた庭で、サルスベリや河童、化け狸、亡き友などと出会う日々を描いている。
Yōko Kondō (born 1957) is a Japanese manga artist from Niigata City. She made her debut while attending university and has worked across a wide range of forms, from ensemble dramas about everyday life to historical and fantastic stories informed by her knowledge of folklore and medieval Japanese literature, as well as manga adaptations of works by writers such as Ango Sakaguchi and Natsume Sōseki. She received an Excellence Award from the Japan Cartoonists Association for “Miharashigaoka nite” and the Grand Prize in the Manga Division of the 18th Japan Media Arts Festival for “Goshiki no Fune,” based on a story by Yasumi Tsuhara. Her representative work, “Iemori Kitan,” adapts Kaho Nashiki’s novel and was nominated for the Manga Grand Prize at the 30th Tezuka Osamu Cultural Prize. Set in the Meiji era, it follows writer Seishirō Watanuki as he looks after the house of a deceased friend and encounters an amorous crape myrtle, a kappa, a shape-shifting raccoon dog, and the friend who should no longer be alive.
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