小泉淳作(こいずみ じゅんさく、1924–2012)は、日本の画家。東京美術学校(現・東京藝術大学)日本画科で山本丘人に師事し、デザインや陶芸の仕事を続けながら制作に取り組んだ。1980年代から水墨画を本格的に手がけ、鎌倉・建長寺法堂の「雲龍図」、京都・建仁寺法堂の「双龍図」、奈良・東大寺本坊の襖絵など、晩年に大規模な作品を完成させた。自伝『我れの名はシイラカンス 三億年を生きるものなり』では、画壇の潮流から距離を置き、長い模索を重ねた末に、70歳を越えて寺院の天井画や襖絵に挑んだ画業を振り返っている。
Junsaku Koizumi (1924–2012) was a Japanese painter. He studied Japanese painting under Kyujin Yamamoto at the Tokyo Fine Arts School, now Tokyo University of the Arts, and continued to paint while working in design and ceramics. From the 1980s onward, he devoted himself increasingly to ink painting and completed several monumental works late in life, including “Unryuzu” (“Cloud Dragon”) at Kenchoji Temple in Kamakura, “Soryuzu” (“Twin Dragons”) at Kenninji Temple in Kyoto, and a series of sliding-door paintings for Todaiji Temple in Nara. In his autobiography “Ware no Na wa Shirakansu: Sanokunen o Ikiru Mono Nari” (“My Name Is Coelacanth: A Creature That Has Lived for Three Hundred Million Years”), he recalls the decades of uncertainty that preceded his major commissions and his decision to undertake vast temple paintings after the age of seventy.
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