野村万作(のむら まんさく、1931–)は、東京都出身の狂言方和泉流の能楽師。祖父の初世野村萬斎と父の六世野村万蔵に師事し、三歳で初舞台を踏み、1950年に二世野村万作を襲名した。早稲田大学文学部を卒業後、「万作の会」を主宰し、古典狂言の上演と後進の育成に取り組む一方、『月に憑かれたピエロ』『子午線の祀り』など現代演劇にも参加して、狂言の身体表現を新たな舞台へ広げた。秘曲『釣狐』の演技で芸術祭大賞を受賞し、2007年に重要無形文化財保持者(人間国宝)、2015年に文化功労者に選ばれ、2023年に文化勲章を受章した。代表的な著書『狂言を生きる』では、戦後から現代までの舞台経験や演目ごとの芸談を通して、狂言の型はそのまま保存されるものではなく、役者が時代や観客と向き合いながら各世代でつくり直すものだと語った。
Nomura Mansaku II (born 1931) is a Japanese Kyogen performer of the Izumi school from Tokyo. Trained by his grandfather, Nomura Mansai I, and his father, Nomura Manzo VI, he made his stage debut at the age of three and succeeded to the name Nomura Mansaku II in 1950. After graduating from Waseda University, he established Mansaku no Kai, devoting himself to the performance of classical Kyogen and the training of younger actors while also bringing its physical techniques into modern theatrical works such as “Pierrot Lunaire” and “The Meridian Festival.” He received the Agency for Cultural Affairs’ Grand Prize for his performance of the demanding secret play “Tsurigitsune,” was designated a Living National Treasure in 2007, named a Person of Cultural Merit in 2015, and awarded the Order of Culture in 2023. In his representative book, “Kyogen o Ikiru,” he draws on his stage experience from the postwar period onward to explain that Kyogen is not preserved automatically but recreated by performers in every generation as they respond to their time and audiences.
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